German, 1854-1929  Related Paintings of Curt Herrmann :. | Weibe Pfingstrosen in Glasvase | Interieur mit Louis XV-Sessel | Stilleben mit Blumenstraub am Fenster | Savignyplatz with Stadtbahnbrucke | Fruhlingsblumen im Garten |
Related Artists:
carmignani
(born January 22, 1945 in Altopascio) is an Italian professional football coach and a former player.
Alfred Hirv
(born March 26, 1880 in Pechory - died May 26, 1918 in Pskov) was an Estonian painter, known especially for his still lifes. For a time he studied with Julius von Klever in Saint Petersburg; further studies took him to Rome and Munich, where he studied at the school of Anton Ažbe. His paintings are reminiscent of the style of the Dutch Golden Age. Works by Hirv can be found in the Estonian Art Museum.
Theophanes the Cretan
active 1527-1559,was a leading icon painter of the Cretan school in the first half of the sixteenth century, and in particular the most important figure in Greek wall-painting of the period. He was born in Heraklion (date unknown), and no doubt trained there, but all his known work was done in mainland Greece. Frescoes bearing his signature survive in the Greek monasteries of Mt. Athos, especially Stavronikita monastery and Lavra, and Meteora which has his earliest dated work, from 1527. He also did many panel icons, either for iconostases or small portable works. Theophanes was active from about 1527-48, and trained his sons and several pupils, often themselves Cretan. By 1535 both he and his two sons had become monks in the Lavra monastery of Mount Athos, where many of his best works remain. Theophanes returned to Crete before his death in 1559. Two detached wallpaintings attributed to Theophanes are in the Hermitage Museum in Saint Petersburg. Like most Cretan painters of this date, his work shows some influence from Western painting, but less in his case than with many artists. Some faces are personalised or looking out to the viewer, and his figures are modelled to convey volume. His work is more conscious of visual perspective than older Byzantine artists, but he does not use the geometrical perspective schemes by then standard in the West. He uses traditional Byzantine compositions, in a rather austere and powerful manner. He should not be confused with Theophanes the Greek (Feofan Grek), an icon painter who worked in Muscovite Russia in the late fourteenth century.